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You are here: Home / Archives for branding

branding

Discover why Short-Term Marketing Strategies are being used more than ever…

October 10, 2016 by Julie McGrath

Digital media and financial pressures on CEOs are forcing marketing employees to focus increasingly on short-term metrics at the expense of creativity and brand building.

Short-term marketing tactics are increasingly taking precedence over long-term brand building, which is affecting advertising effectiveness, but whose responsibility is it to even the balance between fast results and brand longevity?

The issue of short-termism was raised by an IPA report in June that suggests the use of short-term metrics to measure campaign success is resulting in a sharp drop in creativity and diverting budgets away from longer-term brand building activity.

Author of the IPA report Peter Field believes the rise of digital and programmatic advertising is partly to blame for this shift in thinking, since it has put increased pressure on marketers to track whether activity is working in real time. If a message fails to resonate it can be quickly changed, which is appropriate in some instances but does not necessarily lend itself to brand building.

“There is a real pendulum that companies swing because they want long-term brand building to make sure the brand resonates and continues to be loved but that is a slow burn,” says Susan Smith Ellis, CMO at Getty Images.

“The instantaneousness of measuring then causes a shift back to all the digital channels all the time and trying to figure out how to measure these different pieces by the nanosecond.”

Smith Ellis believes companies need to consider whether “they are being schizophrenic about their behaviors”. She says: “The balancing of short-term revenue and long-term brand building is an art and a science and very few companies do it well.”

 

The impact of digital transformation

The Royal Shakespeare Company is in the process of going through a digital transformation and implementing a full overhaul of how it delivers commerce and content. Photo credit David Tett

Taking a long-term view depends on the position and direction of the business. The Royal Shakespeare Company (RSC) is in the process of going through a digital transformation and has worked with software provider Progress to implement a full overhaul of how it delivers commerce and content.

Richard Adams, consultant digital programme manager at the RSC, says: “What we are doing is accepting short-term measures are in place, but underneath it I have implemented lots of different approaches to data.”

Adams is in the process of rolling out the ability to track trends over a longer period to understand how people interact with the company, which therefore allows the RSC to start thinking about how to change the way it works to become data-driven and evidence-led rather than reactive to short-term campaign successes.

“We are firm believers that a lot of traditional digital marketing spend is inefficient and wasted.”

– Neil Costello, head of marketing, Atom Bank

When embarking on a long-term digital transformation project, it is vital for the entire company to be on board in order for this approach to work. Adams says: “One of the things about transformation is that you have to somehow work out how to take people with you. You can put as much technology in place as you want but people have to know why and that explanation has to be simple and relevant.”

When launching a new business, it could be tempting to look for quick wins but in order to create a viable long-term business proposition, brand building is key.

Atom Bank launched its app-based savings account in April, but its flagship product – its current account – launches next year so the brand is focused on driving earned media using social networks. A short-term campaign on TV or digital is therefore not on the cards, according to head of marketing Neil Costello.

“We don’t have the investment to go on TV and have no desire to do that. We are firm believers that a lot of traditional digital marketing spend, such as online display, is inefficient and wasted so it pushes you into the territory of gathering a following in social, where you have an army of advocates ready to purchase your product,” he says.

Costello was drawn to Atom from Aviva by the “chance to build a brand from scratch” and the ability to “be as risky and provocative as you like from the outset, as opposed to being hampered by a large brand that can’t move too far away from its established core”.

“It’s really easy to be lazy and start attacking the big banking groups and what banking has done in the past,” adds Costello, who says Atom is more focused on helping people redefine the relationship they have with money. He says: “By getting people talking about that on your behalf, you are fostering trust before your proposition has even launched.”

 

When a long-term view is needed

Electrolux has been working on its digital transformation for the past two-and-a-half years

Household appliances brand Electrolux has been working on its digital transformation with agency Prophet for the past two-and-a-half years with the aim of building brands in a more effective way. The project is long-term and still going.

In EMEA countries, Electrolux has more than 30 brands across different categories in the white goods sector and senior vice-president of EMEA marketing Lars Hygrell wants to introduce a more consistent consumer experience.

“We needed to bring rigour into measuring and understanding the effect of our investment in different channels.”

– Lars Hygrell, senior VP of EMEA marketing, Electrolux

He says: “With everything going on in the industry and marketing overall thanks to the changes and impact of digital, we needed to bring rigour into measuring and understanding the effect of our investment in different channels.”

The goal for Hygrell is to effectively manage short- and long-term requirements. He adds: “The beauty of our approach is to be able to not only look at the long term and say we only look at brand health, but to have that balance to make sure we have the right focus on the monthly, quarterly and yearly results.

“At the same time we need to drive and feed into the overall strategy of securing an overall consumer experience and brand building strategy that drives us in the right direction.”

  • The rise of short-term thinking is closely aligned to the fact marketers’ tenure in any one role seems to be declining.

 

The effect of short-termism on creativity

Shrinking marketing budgets and the use of short-term metrics to measure campaign success have resulted in a sharp drop in creativity, according to the IPA’s ‘Selling creativity short: Creativity and effectiveness under threat’ report. It shows that since 2006 the percentage of IPA campaigns that ran for less than six months has more than quadrupled to more than 30%. For award-winning campaigns the rise has been even sharper at around 45%.

The report suggests it is important to note this rise because “creativity delivers business results most strongly over the long term and this ‘miscasting’ undermines the impact of creativity”. Over these short time scales non-awarded campaigns also tend to outperform awarded campaigns.

Report author Peter Field says short-termism is “putting attention on short-term tactics and diverting budgets, particularly into digital sales.”

He adds: “If you undermine long-term thinking and strategy, you entirely undermine creativity because it lives in that world of long-termism.”

 

Did you find this Article Interesting? If so, check out our most recent Marketing Manager vacancy on our website.  It might be the perfect opportunity for you to take the next leap in your Marketing career! You can check it out by following this link

 

– Mindi Chahal

Filed Under: Latest Industry News Tagged With: awareness, brand, branding, commerce, development, Digital, financial, implementing, marketing, media, social, transformation

7 Top-Tips on Designing a Brand Logo

September 25, 2016 by Julie McGrath

Your brand’s logo is the sort of thing that can have a bigger effect on your business than you first think.

The wrong logo can make your brand come off as unprofessional, assuming anyone notices you at all. A good logo will create instant recognition within the minds of your target audience.

There are many resources you can take advantage of. But you have to know how to use it. These tips will help you craft the perfect logo for your brand.

 

1. Is it Unique?

It’s almost impossible to create something truly unique, but with any logo proposition you should check it against other logos. Make sure you have confirmed that your logo isn’t accidentally infringing on other trademarks, or this could obliterate your business before it even gets started.

If you are not breaking any trademarks, you should still ensure that it’s not too similar to someone else’s. The last thing you want is to make people think that you are a new logo design for a competitor. Once you have it I recommend that you protect it with a trademark. A trademark registration normally costs around £200.

 

2. The Psychology of Color

Color is what catches the eye. Significant studies have been conducted into the value of color and the effect it has on the human mind. It’s a fact that certain colors lead to certain reactions. For a start, you may discover that red creates aggression.

Take for example a call to action. Studies have shown that bright orange is the best color for encouraging people to click, whereas red comes in second. When you design your logo, design it with multiple colors.

 

3. Keep it Simple 

Time and time again, new businesses create logos that are incredibly complex. They do this because they want to stand out from the competition, but you can easily stand out for all the wrong reasons.

The general rule of thumb for a logo is that it should be memorable enough so someone could easily draw it onto a piece of paper when prompted. Look at all the major brands of today and you will see that even the most novice artist could draw their logos.

This is no coincidence. Simplicity sells because it’s what people remember. Most people will only look at the logo for less than a second when they see it before continuing on their way.

 

4. Think Format 

When designing, you are likely designing them on a blank screen or on a piece of paper. Just because something looks good on a white background doesn’t mean it’s going to look good everywhere. During the design process, see what it looks like in different formats and make sure to use only a logo generator or tool that produces a responsive logo.

Imagine what it’s going to like on an iPad carrying case, or on the side of a building, or on your website. Does it still look as good as it should?

 

5. Give it Time 

Your first design idea will not be the one you finally go with. You may want to get your business off the ground now by using free tools or with an online logo generator, but it’s worth spending a little more time coming up with the best logo. It’s extraordinarily difficult to go through a rebrand.

Take some extra time now to put down a few ideas and it will pay dividends later. Map out everything as this will save you and your designer a lot of time.

 

6. Public Testing

You can never be sure how the general public is going to respond. Assuming you already have the image of your perfect customer in mind, you need to approach a test group and show them various logo designs. Put it to them and see what feedback they give you.

It’s unnecessary to settle on any of your designs. If your focus group doesn’t like any of your designs, return to the drawing board and try again. There’s no reason why you absolutely have to go with any of your designs.

 

7. Hire a Designer

Finally, unless you have first-hand knowledge of the principles of logo design you should hire a professional designer. It’s tempting to skimp on spending when you initially start your business, but a logo is an investment in your future. Opt for a low level of investment and you are always going to get low level results.

 

These tips will help you to build the logo that you deserve. A good logo design is of paramount importance to a company’s overall brand image and how customers will react to it. It’s therefore important to spend as many hours as it takes until you design the perfect logo for your Business. Good luck!

Do you have an interest in Marketing? Check out our latest Marketing Job roles on our vacancy page by following this link!

 

– John Rampton

Filed Under: Career Advice Tagged With: 7, brand, branding, business, company, design, logo, marketing, Tips, Top

Why brands are applying the principles of psychology to design

May 29, 2016 by Julie McGrath

Why brands are applying the principles of psychology to design

Marketers are increasingly tapping into the power of psychology to improve the impact of design and give their brands the cutting edge.

 

There is more to design than meets the eye. In order to stand out in an increasingly crowded marketplace, brands including Heinz, Oxo RAF & even our own brand Graffiti Recruitment are applying the principles of psychology and using neuroscience techniques to create designs that resonate with consumers in both an immediate and lasting way.

Psychological principles – concerning behaviour, attitudes, aspirations and motivations – can help brands understand how their logos or packaging make consumers react. All visuals create a pattern of attention, which is why it is so important for brands to give designs a clear focus, as humans have limited attention spans, explains psychologist Nathalie Nahaï.

“It’s also important to think about the principle of cognitive load, which relates to the energy it takes to process a task,” she adds. “Good design reduces the mental effort and makes it easier to take the desired action like buying the product you want,” explains Nahaï.

A sans serif font, for example, requires less effort to read, while some colours evoke an immediate feeling, such as red for feelings of love or anger and blue, which is associated with trust and calmness and green is associated renewal, balance, energy harmony and growth.

Designing for global appeal

With an estimated global audience of 400 million, the Premier League had to ensure that its 2016/2017 season rebrand, which was unveiled in February, could translate worldwide across social media, events branding, television, online and an app.

The redesign was a departure from its headline sponsorship model with former partner Barclays, giving the Premier League full ownership of all branding.

The result of a decade-long research project, including in-depth interviews and discussions with a 15,000-strong fan panel, the rebrand also represented an opportunity to communicate the Premier League’s “inclusive and inspirational” values in the wake of last year’s FIFA corruption scandal, says head of marketing – Craig Edmondson.

“Being modern was at the forefront of our thinking and how to talk to an audience of millennials. We had to think how our new logo would fit with the other brands they commonly consume such as Spotify, Airbnb and YouTube,” he explains. “We moved away from our upper case serif font because we want to have a conversation with fans and it felt like we were shouting. Also, the standing lion looked slightly confrontational, which is not what we’re about.”

To give a feeling of informality the Premier League opted for a bespoke sans serif font. Although the lion remains, it has been simplified to a chunky representation of the animal’s head. The team consulted a professor of animal studies to understand how the lion translates across different cultures, discovering a general association with pride and strength, as well as  a distinctive hunting style involving playing in positions, like footballers.

The use of vivid pink, green, acid yellow and cyan, combined with the purple of the logo – a less corporate alternative to the traditional navy – is intended to speak to a diverse audience of men, women and children.

Instinctive and rational

Neuroscience – the monitoring of brain activity using technology such as MRI scans – can also be used to help marketers better understand why people remember certain designs over others.

According to professor of marketing at Warwick Business School Nick Lee the more references you can connect to a brand, the higher the likelihood the memory will be retained and recalled, especially if you can create a positive emotional connection.

Coca-Cola’s new design, for example, which features the same logo but ties all variants together with a red circle ‘brand code’ allows consumers to quickly identify the brand across all touchpoints thanks to the unified design.

Vice-president for global design James Sommerville called this new approach “a global design language that utilises a historical brand icon to present the range of Coca-Cola products available today in a contemporary and simple way.”

To understand what makes consumers immediately connect with a brand, but also what engages them in the long term, marketers are increasingly applying the concept of System 1 and System 2 thinking to their design strategy.

System 1 is instinctive thinking, processed instantly on a non-conscious level, thereby lowering the cognitive load. By contrast, System 2 is a rationalisation stage involving cognitive processing, for example when consumers consider what they think of a brand and the reasons to buy it.

If marketers can tap into System 1 thinking when working on their design strategy, they can make the purchase decision or call to action seamless for consumers, encouraging them to transact.

Working with agency Coley Porter Bell, the RAF used a process called ‘visual planning’, which involves using visceral System 1 thinking during the strategic planning process by distilling the brand vision into five words and translating them into images. This is especially important as 90% of System 1 thinking is visual.

“By doing so, we were more likely to ‘bake in’ the right visual triggers to communicate the right things from the start,” explains RAF head of media and communications Nigel Bradshaw. “We used these intuitively selected images as the blueprint for the design work.”

The result is RAF 100, a new campaign to celebrate the organisation’s centenary year in 2018. It is designed to honour the past while at the same time looking to the future and challenging traditional perceptions of the RAF.

The organisation wanted the campaign to appeal to millennials whose lives are heavily influenced by social media and therefore took inspiration from reference points such as Instagram, YouTube and Snapchat. Based on its planning, the RAF opted for a graphic, simple and bold concept, designed to gain traction on mobile and apps (see image, top).

“The bold, block letter forms stem directly from the RAF logo, yet by filling in the [negative space within letters] it creates a bold and contemporary look,” suggests Bradshaw. “The type also acts as a window on to the past and we can use this layering to juxtapose historical RAF achievements alongside modern representations.”

The RAF opted for a vibrant colour palette of pinks and oranges, chosen to challenge traditional perceptions of the organisation and to help it appear credible alongside the lifestyle brands popular with millennials.

Virtual reality

The consistency of a bold typeface, strong colours and design simplicity also play an important role for stock cube brand Oxo. Despite going through a number of permutations the brand has built up a high level of recognition on supermarket shelves for more than 100 years. The overall design has evolved to include food messages, recipe ideas and icons of a knife and fork, all linking back to food imagery.

Premier Foods category marketing director for flavours and seasonings Helen Touchais explains: “We want to convey the fact that people can use our products to make their food taste delicious, so it is important that the visual cues link to food.”

With consumers spending an average of eight to 10 seconds looking at a fixture in the supermarket, it is crucial to grab their attention. For this reason Oxo has invested in a virtual reality suite to test packaging in a simulated physical environment, using cognitive eye tracking. Consumers wear special glasses through which they see a picture of the shelf laid out in front of them.

To test the best colour and messaging Oxo asked consumers to find the beef stock cubes using three different packaging variations, tracking where their eyes travelled. The tests found the red packaging with the classic Oxo typeface was 40% faster than other options to find on the shelf.

“The bold, curvaceous typeface has a jovial appearance and being a palindrome it stands out really well on the shelves,” says Touchais. “The simplicity of the design equates to the simplicity of use, while the colours and typeface suggest a sense of dynamism and the fact Oxo helps liven up food.”

Brand recognition

Having a timeless, confident design that is easily recognisable is also key for Heinz, which looks to play on System 1 thinking to create products customers instinctively want to pick up.

“We are building a shortcut for the brain through the packaging and the design credibility we have built up over decades,” explains Colin Haddley, director of strategy, insight and capability.

“We use lots of research techniques, such as talking to consumers in focus groups and carrying out implicit research. For example, we test the recognition of design by timing how long it takes a shopper to find a new design on a shelf. We also create a heat map of sentiment, overlaying the rational results with the emotional.”

Heinz packaging is designed to convey brand values of confidence, timelessness, accessibility, warmth, comfort and quality. This is communicated through specific food cues, such as the drip of juice on a tin of baked beans or steam rising from a bowl of soup.

For the launch of its Seriously Good Mayonnaise in February, Heinz used visual cues to emphasise the quality of the stripped back recipe, ranging from a large spoon bearing a big dollop of mayonnaise to a picture of a chicken to signal the use of free-range eggs.

Integrating psychology into the design process early on is giving brands the ability to tailor their message to the instinctive, System 1 processes that rule our unconscious decision making, using visual cues, vibrant colours and a distinctive aesthetic as unmistakable calls to action.

– Charlotte Rogers

Filed Under: Latest Industry News Tagged With: branding, brands, design, marketing, principles, psychology

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